Jennifer Rubin draws attention to the elephant in the room—that is, the GOP’s unfortunate posturing toward immigration, of which John McCain has lately become the embodiment.
It should be of some consolation that before he could find someone to cast in the nativist role he sought, McCain had to do quite a bit of fruitless searching and, in the end, resort to “synthesizing” his ad from the scenery of a border town and the commentary of a sheriff from a different county. Indeed, the sheriff who enthusiastically confirms McCain’s bona fides as “one of us”—whatever that means—hails from Pinal county, not even on the border, while the ad is shot in Nogales, a border town in the county of Santa Cruz, whose sheriff, Antonio Estrada, has blasted the Arizona immigration bill in no uncertain terms:
“Local law enforcement has a great relationship with the Hispanic community, and something like this is really going to scare these people,” said [Sheriff] Estrada. “They’re going to look at us as immigration officers every time they see us.”
Clarence Dupnik, the sheriff of Pima—another county in Southern Arizona, which shares with Mexico the longest border in the state—has called the bill “disgusting,” “racist,” and “unnecessary.”
The ad merely reveals McCain to be a politician, evidently less principled than his supporters took him for in 2008. His presidential ambitions now thwarted, in order to at least not lose his Senate seat, he has gone to great lengths—as far as to endorse the anti-immigration bill of Arizona after having supported the pro-immigration bill of President Bush. But no matter that a politician should flip-flop. Most troubling is the fact that McCain judged this ad expedient because it can find a sympathetic audience among the GOP base.
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Such a rarity for music as esoteric as Albanian Pop to be universally enjoyable even by foreigners who have no idea what the lyrics mean. It's now hard to fully recover just how isolated communist Albania was in those days. Big Brother was busy sanitizing almost every aspect of the culture, relentlessly screening out any hints of decadent bourgeois Western influence. Yet these songs clearly evoke sounds from the American music scene of the early 20th century. I have no idea how this amazing music managed to make it out to the public. "Naten Vone" is probably my favorite song. In fact, I recommend listening to the album backwards. Enjoy!
Vaçe Zela has a flawless voice! ...And isn't it eerie how she could be Halle Berry's white twin in that album cover?
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