Musical Revisionism: A Communist Crime
A casual observer of Albanian Communist cultural paraphernalia (such as Enver’s speeches, Socialist Realist paintings, Party-approved monuments or poems, state-produced films, etc.) might deduce that Enver Hoxha fancied himself a glorious leader of an epic rural nation because of the pervasive themes of mythological collective greatness and romanticized legends coloring Albania’s grim history. Enver is … Continue reading “Musical Revisionism: A Communist Crime”